Tell me why this equation holds true: Geeks >> Science Fiction Fans
“Whoa, whoa, whoa!” you say. “That’s offensive! I’m certainly not a geek, even though I do love my Android phone, spend hours playing Halo and watching SF movies on the home theater PC I built myself, and recently renewed my subscription to Make magazine. And you certainly can’t call me a geek, you parasitic marketing wonk!”
And yes, I can call you a geek, with great affection. Because I’m one too. I love gadgets. I’ve been known to spend time in Second Life. I enjoy SF movies. In my spare time, I design audio devices, and will soon be selling them. I hang out with people who love futuristic tech, develop futuristic tech, market futuristic tech, and are excited about where it’s taking us.
And these are the people who should be natural SF fans. But they aren’t. Or at least not of the text-based variety.
How do I know? Let’s crunch some numbers. I do this every year or so, comparing what I call “popular metafiction” and print science fiction. And every year, the numbers show a gigantic chasm between the popular, forward-looking, geek-centric side of things and, well, the stuff we write.
Check out this comparison between BoingBoing.net and Tor.com:
No, wait. Look at that again. Tor isn’t the middle line. That’s BoingBoing’s US audience. See the line near the bottom? That’s Tor.
BoingBoing.net: 3,000,000 global visitors per month
Tor.com: 133,000 global visitors per month
io9.com posts numbers similar to BoingBoing: 2,100,000 global visitors per month. And the numbers get bigger as we venture out into the pure geekosphere. Gizmodo has a whopping 7,900,000 global visitors per month.
Compare this to Strange Horizons, at about 20,000 visitors per month—and it’s the most-trafficked of all the major text SF outlets beyond tor.com, including Analog, Asimovs, F&SF, TTAPress, Clarkesworld, and Futurismic.
So why aren’t any of the text SF venues benefiting from the millions of geeks in the world?
And, more importantly, what can text SF do to cross the chasm — to become at least as popular, say, as a steampunk blog (steampunkworkshop.com, at 50,000 per month), or, going wild, to equal the numbers of a magazine aimed at people who like to build their own robots and other microprocessor-controlled gadgets (MakeZine, 1,000,000 visitors per month.)
I’d argue that the first step is simple: acknowledging there is a chasm. And when the biggest text SF outlet runs 20X smaller than the popular metascience outlets, there’s a chasm. A huge one.
And I’d argue that this chasm is one that we should be able to bridge.
Now, what can we do about it? That’s a subject for another post. A series of three of them, in fact. Look forward to them here in the coming weeks.
Note: all data is from Quantcast.com, an open platform for visitor metrics. Both BoingBoing and Tor are directly measured, which means their numbers are quite accurate.
April 9th, 2010 / 5 Comments »


April 10th, 2010 at 4:24 am
But isn’t this comparing entertainment websites to fiction sites, which traditionally have always had lower traffic, even in print?
April 10th, 2010 at 6:25 am
I wonder what would happen if boingboing or io9 published short fiction?
April 10th, 2010 at 1:07 pm
Sean: I wouldn’t expect us to be able to move *all* of the audience from BoingBoing or io9 to print SF, but I think there are some ways we should be able to tie into the general interest in SF and leading-edge science/tech to get more readers.
April 10th, 2010 at 1:10 pm
Sean, in addition: I know from experience is that a simple *mention* on BB of stories I’ve had published on Futurismic is sufficient to drive a 10-100x traffic spike relative to stories that haven’t been mentioned.
April 11th, 2010 at 6:22 am
Oh, certainly a mention on BB or Scalzi or similar venues do spike up visits to a specific story, but it would have to be a regular occurrence for it to splash onto the rest of the site’s offerings. For instance, one of FM’s articles on steampunk, went from 0 to 60,000 page views, in a month. But it didn’t really benefit the rest of the site. (It was good for advertising revenue, though!) So the question is how to generate that kind of buzz, on a regular basis, that visits to a site continually stay high? I would not mind seeing io9 start running fiction, or license it from other venues, personally, just to see what would happen.